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Bernadette Mayer
Bernadette Mayer (born May 12, 1945) is an American poet, writer, and visual artist associated with both the Language poets and the New York School. Mayer's record-keeping and use of stream-of-consciousness narrative are two trademarks of her writing, though she is also known for her work with form and mythology. In addition to the influence of her textual-visual art and journal-keeping, Mayer's poetry is widely acknowledged as some of the first to speak accurately and honestly about the experience of motherhood. Mayer edited the journal ''0 TO 9'' with Vito Acconci, and, until 1983, United Artists books and magazines with Lewis Warsh. Mayer taught at the New School for Social Research, where she earned her degree in 1967, and, during the 1970s, she led a number of workshops at the Poetry Project at St. Mark's Church in New York. From 1980 to 1984, Mayer served as director of the Poetry Project, and her influence in the contemporary avant-garde is felt widely, with writers like Kathy Acker, Charles Bernstein, John Giorno, and Anne Waldman having sat in on her workshops.
== Early life and education ==
Bernadette Mayer was born in a predominantly German part of Brooklyn, New York, in 1945. Her parents were, as she writes in the autobiographical piece, "0–19," "a mother-secretary & father draft dodger WWII electrician." Mayer's parents died when she was in her early teens and her uncle, a legal guardian after the passing of her parents, died only a few years later. She has one sister, Rosemary, a sculptor who was a member of similar conceptual art communities during the 1970s and 80s, in addition to being a founding member of the feminist art space A.I.R. Gallery. Mayer attended Catholic schools early on, where she studied languages and the classics, and she graduated from the New School for Social Research in 1967.
Mayer's work first caught public attention with her exhibit Memory, a collection of photographs taken during July 1971. Mayer photographed one roll of film each day, resulting in a total of 1200 photographs. Memory toured eight locations in the United States and Europe from 1973 to 1974 as a part of Lucy R. Lippard's female-centric conceptual art show, "c. 7,500". The photographs were installed in sequential rows and displayed alongside a 31-part narration that was created by Mayer as she remembered the context of each image, using them as "taking-off points for digression" and to "() in the spaces between." The text of Memory, later published by North Atlantic Books, was a transcription of this narration.
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